4.296 file audio bebas royalti untuk "59 Limit Tuning And Intervals"

*9 steps in 20-et on C = ??. Equal-tempered: 29/20:1 = 540.00 cents. MIDI pitch bend: 102,76

*3 steps in 11 equal temperament on C = ??. Equal-tempered: 23/11:1 = 327.27 cents. MIDI pitch bend: 93,72

*5 steps in 11 equal temperament on C = ??. Equal-tempered: 25/11:1 = 545.45 cents. MIDI pitch bend: 69,78

*Jot on C. 101/100,000 = 0.039863 cents. MIDI pitch bend: 2,64

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.

*Savart on C. 101/1,000:1 = 3.986314 cents. MIDI pitch bend: 35,65

*Farab on C. Equal-tempered: 21/144:1 = 8.333333 cents. MIDI pitch bend: 85,66

*4 steps in 13-et on C. Equal-tempered: 24/13:1 = 369.23 cents. MIDI pitch bend: 19,54

*4 steps in 21-et on C = D↑. Equal-tempered: 24/21:1 = 228.57 cents. MIDI pitch bend: 18,73

*Meride on C. 107/1,000 = 27.904196 cents. MIDI pitch bend: 119,72

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

*13 steps in 16-et on C = A♯ (Easley Blackwood's notation). Equal-tempered: 213/16:1 = 975 cents. MIDI pitch bend: 0,56

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

*2 steps in 15 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/15:1 = 160 cents. MIDI pitch bend: 26,51

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*11 steps in 19 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 211/19:1 = 694.74 cents. MIDI pitch bend: 40,62 Created in Sibelius with midi pitch bend on 94 for 693.75 cents rather than 694.76. New version a TT on 40,94 for 694.7265625 cents rather than 694.76.

*2 steps in 9 equal temperament on C on C = ??. Equal-tempered: 22/9:1 = 266.67 cents. MIDI pitch bend: 42,53

*1 steps in 19 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/19:1 = 63.16 cents. MIDI pitch bend: 26,84 Created in Sibelius with midi pitch bend on 52 for 62.5 cents rather than 63.16. New version a PU on 26,84 for 63.134765625 cents.

*19 steps in 21-et on C = B♭↑ (Easley Blackwood's notation). Equal-tempered: 219/21:1 = 1085.71 cents. MIDI pitch bend: 54,59

*2 steps in 19 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 22/19:1 = 126.32 cents. MIDI pitch bend: 54,72 Created in Sibelius with midi pitch bend on 72 for 125 cents rather than 126.32. New version a m2 on 53,72 for 126.2939453125 cents rather than 126.32.

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

*1 step in 15 equal temperament on C = C↑ (Easley Blackwood's notation). Equal-tempered: 21/15:1 = 80 cents. MIDI pitch bend: 76,57

*15 steps in 16-et on C = B (Easley Blackwood's notation). Equal-tempered: 215/16:1 = 1125 cents. MIDI pitch bend: 0,72

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57

*10 steps in 19 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 210/19:1 = 631.58 cents. MIDI pitch bend: 13,74 Created in Sibelius with midi pitch bend on 74 for 631.25 cents rather than 631.6. New version a TT on 13,74 for 631.5673828125 cents rather than 631.6.

Hendrix chord.

06. TRG Banks - Wedding

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

03. TRG Banks - Ordination

Handel, Messiah, Hallelujah Chorus closing bars

Period (two phrases) in Haydn's Feldpartita.

Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png

05. TRG Banks - Boy Meets Girl

08. TRG Banks - Interlude

Ejemplo de batimiento (acústica). Frecuencias: 440 Hz y 339 Hz.Example of beating (acoustic). Frequencies: 440 Hz and 339 HzNederlands: Voorbeeld van zweving (akoestiek). Frequencies: 440 Hz en 339 Hz

09. TRG Banks - Conference

02. TRG Banks - The Rebelution

12. TRG Banks - Sunset

Symphony No. 5, first movement, bars 195-227

10. TRG Banks - Easter

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

14. TRG Banks - Into Canada

11. TRG Banks - Stop The Merry-Go-Round

13. TRG Banks - Goodbye Josh

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

My Old Kentucky Home

The trio from Pomp and Circumstance March No. 1, directed by Edward Elgar. Played for the opening of EMI's studios at Abbey Road.